‘One fight after another’ review: Probably the best film experience I’ve been all year round

One fight after another, Paul Thomas Anderson New Film (and the current 2002 Punch drunk), now now is now well. The viewer falls directly, in a politically charged landscape and deals with some difficult themes. However, somehow, it doesn’t feel so heavy. In fact, it is the best experience in the film I have had in a movie theater all year round.

Leonardo Dichaprio is like Bob Ferguson, the revolutionary and former of the gang known as the name 75 of France. Diapers has explosives with his girlfriend and revolutionary books (Teyana Taylor). And when he decides to continue his crime life, Bob and his daughter Charlene runs and living under the radar. And they remain there until the past starts to return. Launching father and daughter launch the wrong and wrong race for survival.

---

Don’t miss one of our ongoing technology content and lab reviews. Add cnet Google as a preferred source.

---

One decade and half of 75 and halfway to the French, Bob left himself. The daughter of his adolescents decided, who goes to the name of his teenagers, who debuted the name of Willa (Chase Infiniti debuted on his big screen), in the role of caregivers. Bob is sharp where it should be trained and trained for emergency situations, even if his past or his mother is known for the truth.

Demons Bob Bay Resurface has been maintained by law specified by the Zingu and Colan law. With Steven J. Lockjaw (Sean Penn). When Bob and his team arrives at Bob’s gate, the action truly kicks and Bob strengthens in the greatest struggle of his life.

One fight feels like one thing to live after another. Filters the raw advocacy of the film, and is not a new aesthetic Anderson. But this note feels like a personal achievement. When you think it is developing over two decades, that has a perfect sense.

By talking cinematic, another, in fact, seemed to be a 2025 product. Clicking on all clicks, considering that Hitchcock was filmed in the Hitchcock Thriller Classic Vertigo format.

Michael Bauma’s camera work and scoreless scores of Jonny Greenwood are essential components Anderson will take you here. In fact, as actors, cinematography and music appear as important characters throughout the story.

Then there is an actor that works at the highest level.

DiCaprio is as great as Bob. It is a mess, physically and emotionally and the barrel, through all obstacles and challenges, the brave that convinced me as a father believed me. Like Bob, Dichaprio carries all emotions between his sleeves and guardians while trying to protect his daughter everything he can do.

I said above, and it is repeated: this is the role of Chase Infiniti’s first film. Nails. Willa is a strong will, emotionally available and promises on the screen. Infiniti’s chemistry is passionate and magnetic with DiCaprio. If I wasn’t a contracted actor to play with Willa, I wonder what his performance would be.

Talking strong female character, it is accumulated with horrible women after making another one. Teyana Taylor is the strength to tell as perfidia. The screen owner is at every moment on the screen. And when it is not, the impact on the story is never present. Regina rooms, the most popular for his comedy comedy, works as a Deandra.

Rounding Active Benicio del Toro and Sean Penn, which play both memorable characters, turn on the cameras and follow only his stories, I wouldn’t protest. Sensei Sergio Like St. Carlos, the Toro shines in a performance and a very fun performance. Bob is a source of comic numbers, and is a quiet light for immigrants families, which helps the shelter and transport.

Penn’s Lockjaw is located on the other side of the spectrum. This character is extreme, sometimes ridiculous, it only makes the risk that it makes it always feels real. All Lockjaw’s walk, in the way Penn leads to the official blow to life, is hysterical and frightening.

While watching the movie, I was created more than once in a remote story ridiculous in real life and realized, this thing is not far away. A fight gives the other to society a mirror, and reflection feels bent and distorted, as you would see in a carnival funhouse.

That’s what makes the film a scary; That’s what makes it horrible.

Things go to the bad places in this movie; It’s not denying that. But one thing that does not follow here are dividing families that come from home terrorism, it is represented in the heavy hand.

Anderson doesn’t tell you anything to think or feel a certain way. It shows it as it happens, between chaotic car harassment scenes and comedian madness.

He feeds the issues of the family, love, resistance and community and immersed in the affected world that feels like falling from its axis, another is a struggle. At the moment – And I will no doubt about me for a while.